Nikon D5300 w/ AF-S Nikkor 18-140mm f3.5-5.6G ED VR
According to the weather report, it is going to be fine and Fuji will probably be visible. I hate shooting in a crowded place in weekends. It is a Tuesday. I’ll probably enjoy shooting Fuji without being bothered by anyone.
I somehow wanted to go to Taikanzan, a popular vantage point to admire Fuji in Hakone. This place was haunted by legendary Japanese painter Taikan Yokoyama as he loved drawing Mt. Fuji from here. This mountain was originally called Daikanzan but was changed into Taikanzan in memory of the great painter after he died. That’s the story written in guidebooks. I’ve never found any authentic sources to prove the story though.
Nikon D800E w/SIGMA ART 24-105mm F4 DG OS HSM
When you gain some experience in photography, you realise the importance of lighting. When it comes to still life and portrait photography, you can control lighting using gear such a strobe light. As far as landscape photography is concerned, you cannot basically lighten the subject. I said ‘basically’ because you can use light painting technique, for example, to lighten subjects in the foreground when shooting night photography. You can also use an electric flash to lighten plants (such as maple trees and sakura trees) in the foreground when taking backlit shots . But you can’t light up huge subjects such as Mount Fuji. For that reason, it is vitally important for landscapes to be at the right place at the right time, that is, visit a place where you can make a beautiful composition when nature gives best light. Even when we try to do so, we are at the wrong place at the wrong time at times as nature is always beyond our expectation.